How beautiful, whimsical and collected is his home…Ībove and below, Jean-Louis Deniot design in Paris. The imperfect finish of the plaster provides these rooms with a more relaxed atmosphere, which is perfect for our modern days. One of his very recognizable and coveted pieces is the African table, a great modern interpretation of the original African stool.Īs beautiful as these plaster accessories are, they also evoke a sense of whimsy and fun. The very acclaimed late American designer from the 60’s and 70’s who created collectable whimsical plaster furniture pieces. A more recent reference to this classically modern use of plaster in home accessories would be the work of John Dickinson. Roche’s iconic designs are regarded as one of the most recognizable ones of the 20’s 30’s and 40’s style. He created objects in stucco or mirror which were heavily influenced by the Baroque. Another great reminder of the use of plaster in interiors is perhaps the most recognizable of all Serge Roche. Often creating pieces commissioned by Jean-Michel Frank who used a lot of white and plaster in his interiors. Giacometti created various kinds of home accessories from table lamps, sconces and fireplace mantles in plaster. With the help of his brother Diego, Alberto created beautiful and understated home accessories made out of plaster and or bronze. The plaster lightings we see today are mostly inspired by Giacometti’s work. These chalky white plaster chandeliers or plaster home accessories have been around for quite some time perhaps as back as 1930’s when Alberto Giacometti brought the material into fashion in Paris. It would actually be quite silly to think otherwise. If you don't mind doing a repair, and the cables will reach or can be made to reach, I would of course recommend moving the light to the side of a joist.Although a white plaster chandelier is very au courant and very frequently used lately, it’s far from being a trend. I suppose the question is, is the fitting too heavy to fix with plasterboard fixings? The cup of the fitting will house four 5amp connector blocks, forget that old rose, and forget making a hole in the ceiling big enough for a junction box, because covering the hole and trying to get a fixing would be a drama. This would save redecorating the ceiling. Of course, if you have access, fit a wooden noggin between the joists to fix the light to. Sometimes they would fix to the lath, and it usually worked out.Īs rough as it is, unless it's something really heavy and moving like a ceiling fan, there is no longer the incentive to fix a wooden noggin unless it's easy to. I would like to say that in days of old, when ceilings were lath and plaster, those old boys always fitted noggins. I have to say, in the modern real world, light fittings don't always get fixed to the joists or a noggin anymore. Why do you think you need a junction box? A dab of filler will enable you to redecorate the ceiling inconspicuously. Measure again from the other side of the joist to reassure yourself. The joists will probably be in the region of 400mm to 600mm apart. If you haven't found the joist yet, drill a 10mm hole through the ceiling and push a nearly-straight coathanger in both directions. That's why they're more common in ballrooms and over stairwells than in kitchens. The ceiling has to be quite high for a chandelier or you will bang your head on it. This is quite common in chandeliers that have a hook and chain. Or it can be suspended beside the ceiling rose. if the lamp is up high and out of eyeline you could retain it as an ornament, but spaced off the ceiling. The brass bell of your lamp appears to be designed to prevent you being able to reach the suspension hook or the terminals. The joist is very likely adjacent to, or above, the old ceiling rose. paint it matt white to blend with the ceiling, and check that your chain, or a shackle, will fit. Once you have identified its centre line (drill a few 4mm holes through the ceiling) you can pilot-drill it and screw in a screw-eye or screw-hook, which is normal for a chandelier.
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